I grew up with film photography: taking pictures, submitting the roll, and waiting to see the prints. That anticipation and delay of gratification is part of the magic.

In an increasingly digital world where we all hold powerful cameras in our pockets, I find joy in the delayed gratification of film. The rich colors, grainy texture, and tactile nature of each frame bring depth and authenticity that digital images rarely replicate.

The camera I use is deeply personal: a vintage Nikon F5 that once pulled G’s inside an F-14 Tomcat fighter jet. It belonged to my father, and it’s a meaningful piece of history that anchors my work in my family’s legacy.

My work is largely driven by curiosity and intuition. I gravitate toward natural light, cinematic tones, and quiet moments that feel both intimate and timeless. I shoot 35mm film, or Polroids, depending on the mood of the subject or setting.

After developing, I scan and lightly edit my negatives, preserving the integrity of the original frame. Grain, blur, and light leaks are not flaws to fix — they’re the fingerprints of the process.

Each image is a study in patience — a balance between control and surrender. Shooting film is my way of slowing down, of honoring the craft, and of capturing something that feels alive.